I was really surprised when I received this guitar. Stunning looks, great sound and playable out of the box.
For the price, it is an amazing guitar and I'm enjoying playing it without any regrets.
The guitar (manufactured 08/2019) is as close to a "true" LP shape as possible. There are subtle differences, but most of them are barely noticeable - no problem here. What pleasantly surprised me was a thinner (lighter) 3-piece body and 3-piece (scarf joint + heel) neck, neck joint shape that is super comfortable for better hand reach, and (!) a maple top. I measured almost 2cm of wood glued to the mahogany corpus. This is what is missing on my more expensive 2017 Epiphone. On top of this maple cap is a nice AAA flame maple veneer. The binding is in a quite nicely cut slot and seems to be clear any filler. There are rare spots of imperfections in the wood and the lacquer but nothing that would bother me. On the back, there is no veneer and you can see the real wood. The guitar seems to have a long neck tenon, which is also a plus. There is some dust in the guitar. Where is the place with most of the dust? You would not guess - it is below the tuning machines.
The fretboard was a little dried and in need of some oil. Strings were rusty, frets in need of polishing, but really - who plays a new guitar with default strings. What surprised me was no buzzing - after a closer inspection I noticed, that some frets were leveled (nice surprise), unfortunately, the leveled frets were not properly crowned and there were some rougher flats spots. These flat spots should be crowned and frets polished before some serious bending. Of course, a full fret job is a good choice and should satisfy the most demanding players. I was able to lower the action to personally preferred ~1.5mm (high E)/ ~2mm (low E) at 12th fret without any buzzing on the guitar as was shipped. The fret ends were not sharp and I consider them fine, but some additional fine-filing is advisable. The fretboard inlays show some tolerances and filler, but nothing that bothers me. The intonation was set quite correctly.
The neck was set up perfectly for 010 gauge strings. The neck profile is for me a comfortable C. The nut is a plastic one. A recommended upgrade is to replace it with Bone (HB Bone Nut Blank 45 is a great fit) or Tusq one but the stock works fine and provides an acceptable string height. I case of replacing - check the string spacing - some replacement nuts have smaller string spacing and for bigger fingers, it could be ~1mm difference between clean and buzzy playing.
The tuning machines work well - I was a little surprised. They are holding the tuning fine. A bit problematic for me was the bushing that should hold the tuning machines in the place - in some places the string tension was puling the pressed-in bushing out of the holes. The bushing was a loose fit and should be seated properly before serious use.
The hardware is functional but is not that much deluxe and provides a cheaper feeling. The bridge and tailpiece are some generic parts with little burrs. Surprisingly, there is a quite unusual spacing between the posts. On my guitar, the measurements (measured from hardware) are ~72 mm for the bridge (metric standard is 74 mm) and ~80,5 mm for the tailpiece (metric standard is 82 mm). They are measurements used rarely on some guitars, but fitting replacement hardware possibly requires a search for correctly spaced parts or a few mm of filing on newer standard parts. The plastic parts (pickup rings, switch chip, jack plate, and pickguard) also feel cheaper and on my guitar, some were a tiny bit different in a color.
The inserts bridge holes are well-placed for intonation, but what disappointed me a little was, that the inserts in the body were really "inserted" and quite loose - I was able to pull them out of the body without any major effort just by my hand. I was thinking that the wood expanded due to moving to a different world region, but there were shims in the holes from the factory, so they must have been loose even in the factory. This situation is most problematic for the tailpiece because the string tension is pulling the bushing out a little bit and it could cause tuning instability. Teeth on the side of the inserts were almost flat - so maybe there was higher tolerance on some parts (a bit smaller diameter) - who knows - and I was unlucky. It is easily fixable, but good to check before serious playing.
The wiring is surprisingly fine - I have seen a lot worse in more expensive guitars. The cavity itself is not shielded, but all the wires are. It is modern-style wiring with .047uf capacitors (it provides a good sound for split humbucker and darker, but still great sound for humbucker mode), two linear push-pull pots, and two unbranded larger diameter logarithmic tone pots with values well around 500K. The switch is not Switchcraft-like, but it is working well. The Roswell LAF pickups (they supposed to be Roswell's take on PAF) are quite punchy and I like their sound even in the split mode. Wiring modified with .022uf caps and 50's style brightens the sound up and pickups come more to life.
It is quite a good guitar for the price. In my case: You can play it as is without any major changes and it will work fine. You can also upgrade a lot to improve the great core of the guitar to a superbly playing instrument and it still will cost less than half of what you are expected to pay for a similar type of guitar by a different brand (e.g. Epiphone).
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