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the t.bone Ovid System Bass Bundle

1

Bundle offer comprising

the t.bone Ovid System CC 100

Condenser Clip Microphone for Ovid System

  • Directional characteristic: Cardioid
  • Frequency response: 20 - 20,000 Hz
  • Flexible gooseneck for an easy instrument setup
  • 3-Pin Mini XLR connector for operation with t.bone wireless systems (also suitable for AKG wireless systems)
  • Gooseneck length: 130 mm
  • Cable length: 2 m
  • Easy to install and can be used with different instrument clips (not included, must be ordered separately)
  • Includes an XLR phantom power adapter (phantom power required) and a foam windshield

the t.bone Ovid System Bass Clip

Modular double bass microphone clip for Ovid systems

  • Easy to install without tools
  • Black rubber end caps protect the instrument from damage
  • Locking screw
  • Width 47 mm

the t.bone Ovid System Case

Plastic Case

  • With recess for all Ovid system microphone clamps and the CC 100 microphone
  • Outer Dimensions: 30 x 23 x 7.5 cm
Available since May 2012
Item number 282626
Sales Unit 1 piece(s)
Microphone Set For Guitars No
Microphone Set For Drums No
Microphone Set For Vocals & Speech No
Microphone Set For Cameras No
Microphone Set For Wind Instruments No
Clip-On Microphone 1
Condenser Microphone 1
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$74
The shipping costs are calculated on the checkout page.
In stock
1

A clip mic that won't get in the way

The Ovid System CC 100 from the t.bone is a condenser clip microphone for recording musical instruments. Its cardioid polar pattern ensures that the sound of the respective instrument is picked up directly, and as it is designed for the t.bone's Ovid system and features a three-pole mini-XLR connection as its signal output, it is suitable for use with wireless systems from both the t.bone and AKG. As a condenser microphone, the CC 100 of course requires phantom power, so the scope of delivery includes an XLR phantom adapter that can also be used to connect the mic to a mixing desk, and the integrated 2m cable additionally allows a high degree of freedom. Altogether, this range of features makes the t.bone Ovid System CC 100 an affordable microphone for recording instruments with a direct, high-quality sound. In this bundle, the microphone is supplied with a suitable clip for attaching it to the double bass and a robust case.

the t.bone Ovid System CC 100 clip microphone

Optimum signal transmission

The t.bone Ovid System CC 100 covers a frequency response from 20Hz to 20kHz with a maximum sound pressure level (SPL) of 110dB. The mic's sensitivity is 8.7mV/Pa, which means that slightly more amplification is required for an optimum signal transmission than in the case of a microphone with a high sensitivity level. Thanks to its signal-to-noise ratio of just 73.7dB, the proportion of noise in the signal is also minimised. It should be noted, however, that this microphone must be handled with the utmost case, as even dropping it can result in severe damage. For this reason, the microphone should always be stored in the supplied microphone case when not in use, and it should only be cleaned using a moist cloth.

the t.bone Ovid System Bass Clip

Direct recording for instruments

This extremely compact clip microphone, which weighs just 88 grams, is ideal for miking up instruments during live performances, where users will certainly appreciate both its small design envelope and wide frequency response, while its cardioid polar pattern will keep the signal virtually free from unwanted sound from sources in the background. It can be attached directly to the instrument with the clip included in the bundle. By adding a wireless transmitter to the setup, musicians can then move around freely on stage without having to pay attention to how far their instrument is from the microphone. What is more, the scope of delivery additionally includes a foam windshield to prevent the occurrence of unwanted noise when the microphone is moved around.

the t.bone Ovid System CC 100 with accessories

About the t.bone

Since 1994, the t.bone has been one of Thomann’s in-house brands, and its name can be found on devices such as headphones, wireless systems, in-ear equipment, and various microphones and matching accessories. “the t.bone” products are made exclusively by renowned companies who also manufacture products for other well-known brands. This provides a clear advantage: Brand-quality products at very reasonable prices. And word gets around: One in seven Thomann customers has already bought at least one product from the t.bone.

Flexible connectivity

The bottom of the t.bone Ovid System CC 100's gooseneck tapers off into a removable 2m cable, which features a three-pin mini-XLR plug that can be connected to the t.bone CC 100 EW phantom adapter and is lightweight enough to be pleasantly inconspicuous. The adapter in turn allows the microphone to be connected to a mixing desk, a multi-track recorder, or an audio interface, while the t.bone's optionally available Ovid System HD Cable EW lets the user connect it to Sennheiser's EW-series wireless systems. Last but not least, the gooseneck itself, which is 13cm in length, makes it possible to precisely align the t.bone Ovid System CC 100 microphone to its sound source.

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1 Review

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DF
Nicht praxistauglich
Dr. Fetti 17.12.2012
Der Halter sitzt zum einen nur wenig fest zwischen Saiten, was mit der Saitendicke noch zunimmt. Bei Darmsaiten oder den Fatblack von Gut-a-like bekommt man den Halter kaum montiert. Bei dünnen Metallsaiten à la Spirocore etc. ist das vielleicht ein geringes Problem. Das größere Problem ist, daß man mit der Halterung und dem Ovid-Mikro das Mikro aufgrund der Kürze des Schwanenhalses nur bis zur Decke bekommt. Die lautesten Stellen sind aber über den F-Löchern, die man von den Saiten zwischen Steg und Saitenhalter nicht erreicht. Ich habe dann mit zwei Klammern aus dem Baumarkt die Halterung am Steg festgemacht, was dann allerdings sehr gut geklappt hat und weshalb ich die Halterung nicht zurückgegeben habe.

Nachtrag: Nach geringer Benutzung hat sich von dem Gummi der Clip gelöst. Der Halter ging also schnell kaputt.
Der Halter sitzt zum einen nur wenig fest zwischen Saiten, was mit der Saitendicke noch zunimmt. Bei Darmsaiten oder den Fatblack von Gut-a-like bekommt man den Halter kaum montiert. Bei dünnen Metallsaiten à la Spirocore etc. ist das vielleicht ein geringes Problem. Das größere Problem ist, daß man mit der Halterung und dem Ovid-Mikro das Mikro aufgrund der Kürze des
Der Halter sitzt zum einen nur wenig fest zwischen Saiten, was mit der Saitendicke noch zunimmt. Bei Darmsaiten oder den Fatblack von Gut-a-like bekommt man den Halter kaum montiert. Bei dünnen Metallsaiten à la Spirocore etc. ist das vielleicht ein geringes Problem. Das größere Problem ist, daß man mit der Halterung und dem Ovid-Mikro das Mikro aufgrund der Kürze des Schwanenhalses nur bis zur Decke bekommt. Die lautesten Stellen sind aber über den F-Löchern, die man von den Saiten zwischen Steg und Saitenhalter nicht erreicht. Ich habe dann mit zwei Klammern aus dem Baumarkt die Halterung am Steg festgemacht, was dann allerdings sehr gut geklappt hat und weshalb ich die Halterung nicht zurückgegeben habe.

Nachtrag: Nach geringer Benutzung hat sich von dem Gummi der Clip gelöst. Der Halter ging also schnell kaputt.
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