the t.bone Ovid System CC 100

I've been amazed at the versatility of this mic. I've tried it on guitar, violin, viola, cello, accordion (right hand), concertina, hammer dulcimer, and even as drum overheads. I have seen them being used to great effect on highland pipes with Peatbog Faeries at Sidmouth Folk Festival. I believe it to be a fantastic all round mic for close micing live or in the studio. It has good rear rejection and it doesn't feed back unexpectedly.

On violins and violas, so many other pickups and mics overdo the treble response, leaving the violin sounding harsh and cheap. This one has a much warmer tone and reproduces the violin's natural sound very well if the mic is placed directly above the bridge. I have found the best location for the clip is the lower left corner of the body. The best position for guitar was also as close to the bridge as possible.

The violin clip and guitar clip are able to be attached to practically anything they will fit around and, with a good squeeze, don't fall off even when playing vigorously. The rubber holder that supports the mic means that knocks on the bodywork are not picked up directly. This makes it ideal for micing the underside of a dulcimer.

Overall, I am very pleased with these mics, to the extent that I will be purchasing a third one soon!

the t.bone Ovid System CC 100 is a set of microphones for recording stringed instruments such as violin, cello or viola. Here are a few key features and benefits of this kit:

Superior sound quality: The Ovid System CC 100 microphones provide high quality recordings with clear and natural sounding instruments. They perfectly capture the subtle details and nuances of a performance, making them ideal for studio recording and live performances.

Easy to use: This kit includes everything you need for quick and easy installation on your instrument. The microphones are easily attached to the instrument deck using special mounts that ensure a secure fit and minimal interference from external noise.

Versatility: The Ovid System CC 100 is suitable for a wide range of stringed instruments and playing styles. They can be used for recording classical music as well as more contemporary genres such as jazz or folk.

Reliable and durable: The microphones are made of sturdy materials for durability and reliability. They are able to withstand heavy use and maintain high sound quality for a long time.

I would definitely recommend it and would buy another if I lost it.

The mic sounds really great at low volumes and far better than high quality undersaddle piezos or soundboard transducers (no surprises there, even though I am talking about acoustic guitar pickups that are in their own way great and cost many tens to hundreds of pounds). The mic is just much better sound quality at low volume. This is through a blending preamp and acoustic amp. For low volume jazz gigs or rehearsals with acoustic double bass I use the mic alone as above. The sound is like the acoustic guitar which is of course what we want, only a little louder.

For slightly louder duo jazz gigs (pub with 10-20 people chatting) I blend it with a soundboard transducer using a preamp (50/50 mic to transducer). I get no feed back problems as long as I reduce the highest eq slider and don't point the mic at the speaker. The blend is far better than the sound board transducer on its own.

For louder gigs don't bother with the mic. Just use the pick-up in the guitar. I have not been able to get the volume high enough on the mic to be worth using. No matter. This is to be expected and will happen even with much more expensive mics.

The mic, thin cable and ovid guitar clip are easily robust enough if you take care of them. Don't worry about that. It has survived about 50 pub gigs with me so far with no problems.

So for the price it is a bargain, and it makes my low volume playing much more enjoyable and fun for me.

These are great microphones!
We use them for acoustic philharmonic projects and folklore concerts on: violin, viola, cello and double bass.
The sound of the microphones is very good, easy to make an EQ, and some how surprisingly stable regarding the feed back in the monitors.
The clip is very easy to adjust and easy to work with. We used it a few times on festival-concerts where we had to mount /unmount the mic on about 15-20 contestants violins and we needed to do that fast. It worked fine, every time, on every instrument (in the contest we had some really small children who had some really small violins) the mic/clip never fell off the instrument.
The goose neck is great, you can place the mic exactly in the position where you want the mic to be. This is very useful especially for the double bass, because we encountered a lot of different sounding double basses, and with a little luck (if you can afford a sound check) you can find the best spot for the microphone.
We fear a little for the thin cable. They withstand about 30 concert until now. One of them had a double bass endpin on it for a few hours, but still works :)))
We recommend these microphones and we are preparing on buying some more to have a bigger set.

Microphone is easy to install on saxophone with a t.bone universal clip.
It is very sensitive and precise. Ideal for alto, soprano saxophone. I am always carrying it with me with it's original box on my gigs. For my needs I won't need an upgrade of the system.
Only flaw is fragility and pretty thin wire from adapter to the microphone.

Update: Now I have switched to tenor saxophone and I am experiencing a lot of noise from saxophone mechanism. As the tenor is more massive and rigid it produces more mechanism noise. Therefore I stopped using this mic as it is unbearable to listen that noise "bam, bam, bam". But, for this price it is quite good deal.