5. Models and differences

The huge variety of controllers available for computers, games or software would make compiling a complete list a fool's errand. Modern controllers are chamaeleon creatures; they can often be used in widely different areas of music. It is therefore not easy to strictly distinguish the different types. So this is more of a list of some clearly definable examples used by creative musical types!

Drum controller for triggering drum set and percussion sounds.

The guitar-to-MIDI controller grew popular in the 1980s, when guitar players were looking for new ways to express themselves and moved into synthesizers. Jazz musician Pat Matheny is a famous example.

Mallet controller for vibraphone and marimbaphone samples have fallen out of fashion lately; –this is a model mady by Kat.

Breath controllers generate synthesizer sounds and/or samples by the player's blowing into them. They are available as clip-ons or as stand-alone instruments.

Hardware controller; proprietary - intended for a single use, e.g. for a Lexicon 960 effects device. Alesis BRC Remote for ADAT, Roland synthesizers etc.

Hardware controller without keyboard for sequence control.

DJ controller with EQ, effects controls and turntable pads for pitch, start, stop effects of two running tracks.

Lighting controller for controlling light bars and lighting effects, mainly for live performance use.

Controller with keyboard, suitable for studio and live use. These keyboards are avilable in all sizes, but the can differ greatly in quality and price.

Some synthesizers clearly lend themsleves to use as controllers...

Master keyboards are usually quite sturdy to better withstand the knocks they suffer in the rough and tumble of live music.