With our cookies we would like to offer you the best shopping experience possible with everything that goes with it. This includes, for example, suitable offers, personalized ads and remembering preferences. If this is okay with you, simply agree to the use of cookies for preferences, statistics and marketing by clicking on "Alright!" (show all). You can withdraw your consent at anytime via the cookie settings (here)
Note: To prevent ratings from being based on hearsay, smattering or surreptitious advertising we only allow ratings from real users on our website, who have bought the equipment from us.
After logging in you will also find all items you can rate under rate products in the customer centre.
The overall look and the finish are pretty good. The only concern about the build quality is that the upper cork joint is too weak (that's not a huge problem: I use plumbing tape for them, while with thread joints you have to use thread to adjust it)
The sound maybe not so strong as I would expect, but after a play-in period it is getting more and more robust, so let's see.
In addition to tricky (very expectedly, though!) C# and Eb of the 1st octave it also needs some challenge to intonate Eb of the 2nd octave and F/F# (in both octaves).
C of the 3rd octave, which is often very tricky, is very reliable with this instrument.
Yes, one need to master the fingers because of the size of the instrument, but it looks, that this Mollenhauer generation of Kynseker Tenors is more convenient (though the wood is probably a bit softer).
A very adequate instrument for its price - especially for consort playing.
The overall look and the finish are pretty good. The only concern about the build quality is that the upper cork joint is too weak (that's not a huge problem: I use plumbing tape for them, while with thread joints you have to use thread to adjust it)
The sound maybe not so strong as I would expect, but after a play-in period it is getting more and more robust, so let's see.
In addition to tricky (very expectedly, though!) C# and Eb of the 1st octave it also needs some challenge to intonate Eb of the 2nd octave and F/F# (in both
The overall look and the finish are pretty good. The only concern about the build quality is that the upper cork joint is too weak (that's not a huge problem: I use plumbing tape for them, while with thread joints you have to use thread to adjust it)
The sound maybe not so strong as I would expect, but after a play-in period it is getting more and more robust, so let's see.
In addition to tricky (very expectedly, though!) C# and Eb of the 1st octave it also needs some challenge to intonate Eb of the 2nd octave and F/F# (in both octaves).
C of the 3rd octave, which is often very tricky, is very reliable with this instrument.
Yes, one need to master the fingers because of the size of the instrument, but it looks, that this Mollenhauer generation of Kynseker Tenors is more convenient (though the wood is probably a bit softer).
A very adequate instrument for its price - especially for consort playing.